Sony EX1R
Final Cut Pro
Very good point about transitions. I sort of wish I had shot the interview with two cameras, but that would have meant mixed formats on the timeline and a lot more processing due to the length of the interview (almost two hours). Maybe a white flashframe transition would have worked better.
I've seen more and more people making the point about avoiding dissolves in between stills, enough so that I may have been talked out of it for the next thing where I incorporate photos on a video timeline. I've always had a personal preference for dissolves when using a still image, but I'll have to re-examine that.
Dirk finished the race successfully, and we did a follow-up story: http://www.theday.com/article/20110606/NWS01/306069939 but it was a while after the race before he returned to CT, and there wasn't a lot visual to add, so we didn't do a follow up video.
Peter, solid story all around. That blurry fade to black as he talked about having the stroke was very effective and really pulled me into the story. Your narration did not get in the way and moved the story along where it needed time to be condensed. The wife interview kept the story focused and defined. I like how you used different focal lengths for the interview shots.